Showing posts with label White Cat Magazine. Show all posts
Showing posts with label White Cat Magazine. Show all posts

George Beremov's Top 5 Movies of the First Half of 2012


George Beremov's Top 5 Movies of
the First Half of 2012 over at
White Cat Magazine

Click on the picture above, or this link, and check out my Top 5 list of the best movies, released in the first half of 2012 (January to June), posted on my monthly column over at White Cat Magazine. And don't forget to leave a comment. :) Thanks, and I hope you enjoy it.

[5.00/10] The Vow (2012)


The Vow (2012)

Brief review: Based on the true story of real-life couple Kim and Krickitt Carpenter, "The Vow" is director Michael Sucsy's very first theatrically released movie in his career. While the film's plot is inspired by one touching and truly heartfelt story, unlike this real story, the movie fails to make a big impact, because, strangely and ironically enough, it feels fabricated and improbable. The main reason for this paradoxicality lies in its banally-written script, filled with cliches, cheesy romance and trite dialogues, we've seen and heard million times before. Further more, "The Vow" is so obvious, you don't need to be Nostradamus to predict each next scene and pretty much every line. On a positive note, there are some moving moments that actually work, but those are very few and far between. The main cast is incredibly appealing, no doubt about that. Rachel McAdams is full of talent and possesses a true natural charisma, but sadly the weak script doesn't allow her to shine at all. Even the character she plays is not that likable. Channing Tatum's handsomeness works in his favor as usual, but his dramatic acting skills have yet to be developed. Fortunately, the chemistry between the two leads is strong enough, at least most of the time. Sam Neill and Jessica Lange's screen time is way too limited, the supporting cast is instantly forgettable, and Michael Sucsy's generic direction is nothing to write home about.

Overall summary: Aside from a couple of moving moments and Rachel McAdams and Channing Tatum's good on-screen chemistry, "The Vow" is just another forgettable romantic dramedy, that suffers from its dated, hackneyed premise, flimsy script and complete predictability.

[9.75/10] The Avengers [3D] (2012)


The Avengers [3D] (2012)

Brief review: Sorry "The Dark Knight" fans, but Marvel's superhero gathering, "The Avengers" easily outshines every other entry into the popular genre. The effectiveness of the otherwise familiar story lies in the ideal balance of its script. Not only the script is smart, humorous and wonderfully-written, but it allows each of its many characters to develop equally and shine on their own. The pacing is quite brisk, yet slow when needed, but the movie never loses its steam and remains engrossing from start to finish. Technically, "The Avengers" delivers and then some. Whedon's direction is so stylish, diverse and accomplished, it's hard to belive that this is only his second feature film. Some of the scenes seem impossible to shoot, but at the same time they feel effortlessly-executed. There's one particular scene during the final battle (where the camera skillfully 'jumps' over from one Avengers member to the next, showing them kicking asses with style), that is so exciting and brilliantly-shot, it will literally blow you away. The rest of the action is first-rate as well, and the CGIs are astoundingly polished and pretty much flawless, apart from the 3D, which is good, but rather unnecessary. The cast is superb in their roles. Hemsworth, Evans, Ruffalo, Johansson and Renner all do a stellar job, but Robert Downey Jr. is the one that steals the show. Hiddleston also turns in a strong performance as the malicious villain, Loki.

Overall summary: Clever, amusing, perfectly-balanced, skillfully-shot and jaw-droppingly action-packed, "The Avengers" is the ultimate dream come true for every single fan of the genre, and arguably the best and most spectacularly entertaining superhero movie ever made.

[6.75/10] Mirror Mirror (2012)


Mirror Mirror (2012)

Brief review: It was about time someone to put an ironic, comedic spin on one of the most popular stories of all time, without ruining the magic of it, and director Tarsem Singh does it with flair in “Mirror Mirror”. Unlike the upcoming “Snow White and the Huntsman” which, judging by the trailers, has ‘grimness’ written all over it, the delightfully lighthearted “Mirror Mirror” never takes itself too seriously, and shows a whole new fun side of the classic story. Singh knows his movie is rather superficial, but he manages to make up for the lack of depth with an amusingly ironic script, full of cheeky slapstick humor, engaging characters, and last but not least, splendid visuals. Over the years Singh has proven himself as a true visionary director, and “Mirror Mirror” is yet another visual stunner from him. From the lavish, exuberant sets and gorgeous costumes to the eye-catching color palette and stylish cinematography, everything about this pretty movie is executed to perfection, and pure eye-candy. Unsurprisingly, Julia Roberts steals the show as the wicked and manipulative, yet rather insecure ‘evil’ queen. Lily Collins doesn’t impress with great acting skills or strong screen presence like Roberts does, but her looks are just perfect for Snow White. Armie Hammer gives a passable performance as the dashing prince, but it’s the quirky dwarfs, presented as a group of rebels, that contribute most to the story.

Overall summary: It lacks substance and it’s too forgettable to become a classic, but Tarsem Singh’s “Mirror Mirror” is still a witty, enjoyable and thoroughly refreshing rendition of “Snow White”, that fascinates with its vivid, sumptuous visuals and truly enchanting atmosphere.

Read (and comment on) the extended version of my "Mirror Mirror" review, written exclusively for White Cat Magazine HERE.